Made In The U.S.A.
Andres Cardenes
Ocean Records, 1998
REVIEW BY: Christopher Thelen
ORIGINALLY PUBLISHED: 01/15/1998

To the disinterested listener -- or maybe even just the
uninformed -- classical music is dead. They believe that while it
may still be played, it is no longer written. In fact, classical
music is still being created, though its authors might not be as
recognized as such composers as Mozart, Beethoven and Bach.
Cuban-born Andres Cardenes wanted to pay tribute to more modern
classical music composers, especially those who were from the
United States, his adopted country. The end result is
Made In The U.S.A., a collaboration between the violinist
and pianist Luz Manriquez. The pairing is a natural one, and there
are some excellent performances here - though a few do fall
flat.
Cardenes's selections run the gambit, from the better-known
artists (Aaron Copland, Andre Previn) to the more obscure (Cecil
Burleigh, William Bolcom) to the current (David Stock). The pieces
themselves are shorter than one might expect -- the average
selection only runs about three minutes, allowing the listener to
get a taste of each composer (and, in some cases, wanting
more).
The interplay between Cardenes and Manriquez is a natural one --
this is not their first album together -- with the piano and violin
blending in quite well. In one sense, this is just as much
Manriquez's album as it is Cardenes's -- one wonders if the same
magic would have been there had there been a different pianist. I
don't think it would have been the same.
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