Talk On Corners (special Edition) Chesapeake VA

I'm not quite sure when the Mighty Mr. Thelen (TM) is going to run this review as I had submitted one for the original version of Talk On Corners. ...

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Talk On Corners (special Edition)

The Corrs

Atlantic Records, 1999

REVIEW BY: Alfredo Narvaez

ORIGINALLY PUBLISHED: 01/13/2000

I'm not quite sure when the Mighty Mr. Thelen (TM) is going to run this review as I had submitted one for the original version of Talk On Corners. In any case, if you want some of my thoughts on that album, know that they're out here somewhere. (Ed. note: Actually, the version I found that we ran was from Duke Egbert .)

I do wonder, though, what exactly prompted the young quartet from Ireland to go and remix their last album. After all, the remixing of albums has been, up to this point, something that only guys like Rob Zombie do. Still, how many people are going to rush to their local music stores to buy a remixed version of the albums they already bought? I think most would consider that an attempt to rip off their fanbase. What's the point of all this? Nothing more than to say I don't know why the band felt they needed to remix their album. However, they did.

This album starts with a remixed version of "What Can I Do." In this case, I found the remix to be a better version than the original. They spruced up the sound, made the drums sound crisper, added violins and -this was big - removed the "du-du"s. This made the song sound more mature and full. "So Young" was also remixed, though I couldn't tell a difference. It does sound clearer, but not by much. In any case, I already liked the song as an example of good pop. Their remix of "Dreams" does work as well. It makes the song sound a bit otherworldy, thanks to some celtic sounds.

However, not every one of the remixes works well. The remix of "Runaway" - the original from their debut album, Forgiven, Not Forgotten - is in no way a match for the original version. Also, I do believe that their instrumental "Paddy McCarthy" was remixed as well. It sounds a bit more pop-oriented than the first version.


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