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The Lion And The Cobra
Sinead O'Connor
Ensign/Chrysalis, 1987
REVIEW BY: Vish Iyer
ORIGINALLY PUBLISHED: 09/18/2007
The ‘80s boasted quite the diverse contribution to girl power, from Tina Turner's explosive comeback to Madonna and her sexually daring image. And among all the female artists that emerged during this era, the then no-name Sinead O’ Connor -- with her debut The Lion And The Cobra -- stood out as one of the most essential and boldest singers in the arsenal of emancipated women that wanted to make a statement just as much as they wanted to make music.
Sinead’s baldness was not the only reason why she was such a tour de force in the music industry, although it certainly got her some attention. It was rightfully her music, which rocks, sighs and surges in all the right moments. The Lion and the Cobra one of rock's classic albums that should not be overlooked.
For a rock album, The Lion And The Cobra is quite atypical. Except for the single “Mandika,” there aren’t much heavy guitars involved in most of the record, much of Sinead's music after this would go in a pop direction. So this is a sonic anomaly, but it's also unique for the way O’Connor carries herself throughout it.
The animal aggression on the record is in its music, the flawless vehement voice and Sinead's attitude. The sheer fire in her singing is just too uncompromising and does more justice to the record as a rock album than a pop album; it may not have the sound, but it has the spirit.
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