Transcendental Highway Sault Sainte Marie MI

Transcendental Highway

Colin Hay

Lazy Eye Records, 1998

REVIEW BY: Christopher Thelen

ORIGINALLY PUBLISHED: 12/22/1998

Remember Colin Hay? If you were a fan of '80s pop kings Men At Work, then you will remember Hay as the distinctive voice behind such hits as "Down Under" and "Overkill". But what you might not remember is that Hay has had a pretty solid solo career since the late '80s, scoring some minor hits in the United States. Although he's had more success outside of America in recent years, he appears ready to re-claim some stake in pop music royalty.

His latest disc, Transcendental Highway, shows that Hay has not lost any of his pop sensibility over the years, and remains a powerful songwriter in his own right. While this disc occasionally drifts into areas that aren't his forte, Hay seems ready to give some acts a run for their money.

The one thing that strikes me as being out of sorts on this album is the use of drum programming. Chad Fischer is a very competent drummer, and proves so on several occasions in the course of Transcendental Highway - so why Hay and Dave Dale would resort to synthesized drums on occasion is beyond me. (I've always said that acoustic drums sound the best.)

And Hay does make an effort to break into new territory with his style of pop music. While I can't say that I like the spoken-word approach on the title track, the scaled-back cuts featuring only Hay and his acoustic guitar ("Death Row Conversation", "I Just Don't Think I'll Ever Get Over You") are incredibly powerful. Granted, numbers like these won't win him radio play, but they should earn him high praise from true fans of music.